Listen up, jazz man is superb
The Age  05.02.2009
By Jessica Nicholas
 

Joshua Redman began his masterclass on Thursday with an earnest discussion on the importance of listening. Later that night, the American saxophonist played to a packed house at the Recital Centre and — with brilliant clarity — demonstrated

 
Berkeley's Joshua Redman soars in Yoshi's homecoming
Contra Costa Times  04.03.2009
By Jim Harrington
 
It seems passé to rave about Joshua Redman in 2009. The trendy time to sing the praises of this Berkeley-born musician was back in the early 1990s, after he won the Thelonious Monk International Jazz Saxophone Competition and was
 
Joshua Redman: Three Times Two
JazzTimes  03.01.2009
By Jeff Tamarkin
 
Joshua Redman didn’t set out to make a double-trio record, but once that notion entered his head, the tenor and soprano saxophonist knew he would have to go ahead and give it a try. The result, Compass (Nonesuch), doesn’t so much
 
Joshua Redman - Uncharted
glideMagazine.com  02.23.2009
By Doug Collette
 

Joshua Redman returned to the acoustic realm of modern jazz in 2007 with Back East where his playing carried a definite sense of breaking free from preconceptions, self-imposed and otherwise. The saxophonist’s new album Compass extends that sensation of abandon in

 
Redman doubles up with poise and power
The Boston Globe  01.26.2009
By Steve Greenlee
 
Two years ago, the Harvard-educated saxophonist Joshua Redman stripped his band down to a trio, Sonny Rollins-style, and produced his finest album, "Back East." Perhaps operating under the assumption that a double trio would be twice as good,
 
Redman fans flame of jazz fire at Berklee
Boston Herald  01.24.2009
By Bob Young
 
A jazz wunderkind during his undergrad days at Harvard, Joshua Redman hasn't taken the easy road to stardom. He cleared a unique path for himself, and now at 39, ranks with the top saxophonists in the world. Redman tested
 
A Single Jazz Band, by Way of Two Trios
The New York Times  01.21.2009
By Nate Chinen
 
Joshua Redman walked onstage at the Highline Ballroom on Tuesday, tenor saxophone in hand, and flashed a smile. “Sure does feel like a different world, doesn’t it?” he said simply, a moment before starting his opening tune. The
 
100 Essential Jazz Albums
The New Yorker  05.19.2008
By David Remnick
 

While finishing “Bird-Watcher,” a Profile of the jazz broadcaster and expert Phil Schaap, I thought it might be useful to compile a list of a hundred essential jazz albums, more as a guide for the uninitiated than as

 
Joshua Redman Hear (Jukebox)